The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

A dog finds the meaning of his own existence through the lives of the humans he meets.

Orphaned at birth and raised by storks, teenage sparrow Richard believes he is one of them. But when time comes to migrate to Africa, his stork family is forced to reveal his true identity and leave him behind in the forest, since he is not a migratory bird and would not survive the journey. Determined to prove he is a stork after all, Richard ventures south on his own. But only with the help of Olga, an eccentric owl with an imaginary friend and Kiki, a narcissistic, disco-singing parakeet, does he stand a chance to reach his goal and learn to accept who he really is.

A relationship between a father and his son. A tragic accident has a man go on a journey of twist and turns toward a path of healing.

A story about a young boy who feels that he doesn't fit in. Born in Holland, he starts his quest meeting interesting people and experiencing different locations. Live actors, puppet animation, miniature theater sets, conveys this fun story.

In early-1900s London, a Japanese student who arrives to study art finds herself in the same orbit as a talented young aristocrat.

'A JOURNEY TO SUNDANCE' is about the spirit, dreams and struggles of independent filmmakers from all over the world, as well as my own struggles to finish this enormous undertaking.

When Littlefoot grandfather falls ill, The dinosaurs only way to cure him is a flower in the forbidding land of mist which hold unexpecting perils and danger.